![]() All the rhythms are based around the tresillo cell. This will really help spell out the main riffs, of which there are only 3 ostinatos in this piece. ![]() The first thing you will need to get under control will be you RH damping action. If you still need help getting your guitar in tune, check out the post at the bottom of thos lesson for an in depth guide to nailing those strings, by any means necessary. It is also a key rhythmic cell for all of Brouwer’s music – it pops up a lot in his pieces. This cell requires a confident level of fine control for its syncopation to stand out. Throughout this piece you will find rhythmic cells derived from the habanera, one of which is the tresillo (triplet) cell in the bass part. Two core elements of Brouwer’s writing style characteristics are Afro-Cuban music- especially Yoruba rhythmic patterns-and the European classical idiom fused to popular expression. He also exploits a melody from a popular tune, Quítate de la Acera (Get Off the Sidewalk). Within it, Brouwer explores the rhythmic “characteristics” of a particular Cuban dance: the conga. Danza Caracteristica by Leo Brouwerĭanza Caracteristica by Leo Brouwer, a challenging work in drop-D tuning, was composed in 1956, and is dedicated to his guitar teacher Isaac Nicola. ![]() So keeping time, and playing with a Latin soul is the order of the day. ![]() This piece is the perfect vehicle to learn the basics of Cuban music, Modern Drop D tuning, and Brouwer’s language. Danza Caracteristca by Leo Brouwer is what this guitar lesson is going to cover, in 4 short micro studies. ![]()
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